copyright

To Why I Steal Movies… Even Ones I'm In by Peter Serafinowicz.

I think there’s a very simple reason why EMI remotely encumbers a channel: It’s a battle about control. The battle about who will control where, when and how people can enjoy works of art.

That battle goes against the fans (who want to enjoy stuff and pay for it on their own terms) and the artists (who want people to enjoy their stuff and pay for it).

-> sent to avpolicy@ec.europa.eu, markt-d1@ec.europa.eu in reply to "Creative Content in a European Digital Single Market: Challenges for the Future" as published by the european commission.

Thanks to Glynmoody for getting the word out!

Dear European Commission,